Flannery O'Connor |
Université de Versailles St Quentin pour l'IUFM de Versailles |
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CAPES 2005 / Préparateur: Jacques PothierPlan du cours. Bibliographie complète et la disponibilité des ouvrages à UVSQ Information générale 29/12/04Quelques sujets de synthèse pour relire les nouvelles en pensant à des sujets de dissertation possibles.Voir la page O'Connor principale pour toutes les ressources nouvelles.. 29 septembre: le ministère annonce 1020 postes au CAPES externe. Voir http://www.education.gouv.fr/siac/siac2/postes/poste.htm Rapport du concours 2004 en ligne. Viennent de paraître:Bleikasten, André. Flannery O’Connor. Belin, voix américaines, oct. 2004. Pothier, Jacques. Synthèse d'une oeuvre: les nouvelles de Flannery O'Connor. Editions de l'Université de Versailles St Quentin en Yvelines, 160 pp., ISBN 2-84274-302-4, 14,50 €. Murray, Jennifer & Garner, Lee. Key Scenes: commentaires de textes CAPES-Agrégation 2004-2005. Sept. 2004 [dont 5 commentaires sur Flannery O'Connor]. ISBN 2-84274-299-0 , 16 € Perrin-Chenour, Marie-Claude, ed. Flannery O'Connor: The Complete Stories. Editions du Temps, 222 p., ISBN 2-84274-304-0, 18 €. Duperray, Annick, ed. The Complete Stories, Flannery O'Connor. Ellipses, 128 pp., ISBN 2-7298-2077-9, 14,50 €.
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Œuvres
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Au programme (voir B.O. E.N.) The Complete Stories of
Flannery O'Connor. With an introduction by Robert Giroux. New York: Farrar, Straus and
Giroux, 1972.
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Wise Blood. New York: Farrar,
Straus, and Giroux, 1952. [
prêt]
A Good Man is Hard to Find and other stories. New York : Harcourt, Brace, 1955.
----. Tr. Henri Morisset, Les braves gens ne courent
pas les rues (Gallimard, 1963).
[
prêt]
The Violent Bear It Away
( 1960 ). Tr. Maurice Edgar Coindreau ,
Et ce sont les Violents qui l’emportent (Gallimard, 1965) ; préface
de J. M. G. Le Clézio.
Everything That Rises Must Converge. New York: Farrar, Straus, and Giroux, 1965.
Three [Wise Blood, The Violent Bear It Away,
Everything That Rises Must Converge], Signet,
1983 [ prêt]
*Fitzgerald, Robert and Fitzgerald, Sally (editors). Mystery and Manners: Occasional Prose. Edited by Sally and Robert Fitzgerald. New York: Farrar, Straus, and Giroux, 1969; tr. André Simon, Le mystère et les moeurs, écrits de circonstance (Gallimard, 1995)
Fitzgerald, Sally (editor). The Habit of Being. New
York: Farrar, Straus, and Giroux, 1979 ;
----. tr. Gabrielle Rolin L’Habitude d’être (Gallimard 2003)
[
prêt]
Zuber,-Leo-J. (comp.); Martin,-Carter-W. (ed.)The Presence of Grace, and Other Book Reviews, Athens : U of Georgia P, 1983.
Magee, Rosemary. Conversations with Flannery O'Connor . Jackson: UP of Mississippi, 1987.
*Sally Fitzgerald, ed. O'Connor's Collected Works.
Library of America, 1988. [Contains the fiction, some occasional prose, and
more than 250 letters written between 1948 and 1964].
Stephens, C. Ralph. (editor). The Correspondence of Flannery O'Connor and the Brainard Cheneys. Jackson, MS: University Press of Mississippi, 1986.
Zuber, Leo J. (editor). The Presence of Grace and Other Book Reviews by Flannery O'Connor. Athens, GA: University of Georgia Press, 1983.
La Sagesse dans le sang [romans et nouvelles complets] Préface de Roger
Grenier.
[
prêt]
Biographie / bibliographie / introduction générale
Balee, Susan. Flannery O'Connor: Literary Prophet of the South. New York: Chelsea House Publishers, 1994.
**Bleikasten, André. Flannery O’Connor. Belin, voix américaines. oct. 2004.
**Brisac, Geneviève. Loin
du Paradis: Flannery O'Connor. Paris: Gallimard, 1991.
[
prêt]
Cash, Jean W. Flannery O’Connor: A Life. Knoxville: University of Tennessee Press, 2002.
*Elie, Paul. The Life
You Save May Be Your Own: An American Pilgrimage. New York: Farrar, Straus,
and Giroux, 2003. [
prêt] [a joint narrative of the literary careers of the “School of the
Holy Ghost”—Thomas Merton, Dorothy Day, Flannery O’Connor and Walker Percy]
Farmer, David. Flannery O'Connor: A Descriptive Bibliography. New York: Garland Publishing Company, 1981.
Fickett, Harold and Gilbert, Douglas R. Flannery O'Connor: Images of Grace. Grand Rapids, MI: William B. Eerdmans Publishing Company, 1986. [Essai biographique, critique et photographique sur la vie et l’oeuvre]
Getz, Lorine M. Flannery
O'Connor: Her Life, Library and Book Reviews. New York: The Edwin Mellen
Press, 1980.
Golden, Robert E. and Sullivan, Mary C. Flannery O'Connor and Caroline Gordon: A Reference Guide. Boston, MA: G. K. Hall & Co., 1977.
Kinney, Arthur F. Flannery O'Connor's Library: Resources of Being. Athens, GA: University of Georgia Press, 1985.
McKenzie, Barbara. Flannery O'Connor's Georgia. Athens, GA: University of Georgia Press, 1980.
Pothier, Jacques Synthèse d'une oeuvre: les nouvelles de Flannery O'Connor Editions de l'Université de Versailles St Quentin, à paraître, oct. 2004.
*Scott, R. Neil. Flannery O'Connor: An Annotated Reference Guide to Criticism. Milledgeville, GA: Timberlane Books, 2002.
Scott, R. Neil and Valerie Nye. Postmarked Milledgeville: A Guide to Flannery O'Connor's Correspondence in Libraries and Archives. Milledgeville: Georgia College & State University, 2002.
Spivey, Ted Ray. Flannery
O'Connor: The Woman, the Thinker, the Visionary. Macon, GA: Mercer University
Press, 1995. [
prêt]
Critique: ouvrages[1]
**Asals, Frederick. Flannery
O'Connor: The Imagination of Extremity. Athens, GA: University of Georgia
Press, 1982. [
prêt]
Bacon, Jon Lance. Flannery
O'Connor and Cold War Culture. Cambridge: Cambridge University Press,
1993.
Baumgaertner, Jill P. Flannery O'Connor: A Proper Scaring. Wheaton, IL: Harold Shaw Publishers, 1988.
Beck, Charlotte H. The Fugitive Legacy: A Critical History. Baton Rouge: Louisiana State University Press, 2001.
*Bloom, Harold (editor). Modern Critical Views: Flannery O'Connor. New York: Chelsea House Publishers, 1986. [dont **John Hawkes “Flannery O’Connor’s Devil”, Joyce Carol Oates “The Visionary Art of Flannery O’Connor”]
----. Flannery O’Connor: (Comprehensive Research and Study Guide; Bloom's Major Short Story Writers), Harold Bloom ed. Chelsea House. 1999. [74 pp., index: plot summary, themes, critical extracts on 4 stories: "A Good Man is Hard to Find", "Good Country People", "Everything that Rises Must Converge" & "Revelation"]
Brinkmeyer, Robert H. The
Art and Vision of Flannery O'Connor. Baton Rouge, LA: Louisiana State
University Press, 1989. [
prêt]
Browning, Preston M., Jr. Flannery O'Connor. Carbondale, IL: Southern Illinois University Press, 1974.
Caron, Timothy Paul. Struggles Over the Word: Race and
Religion in O'Connor, Faulkner, Hurston, and Wright. Macon: Mercer University
Press, 2000.
Coles, Robert. Flannery
O'Connor's South. Baton Rouge, LA: Louisiana State University Press, 1980;1993.
* Delta 2 « Flannery O’Connor et le réalisme des lointains » (Mars 1976). - Montpellier : Université Paul Valéry, 1976. - 168 p.
*Desmond, John. Risen Sons: Flannery O'Connor's Vision of History. Athens, GA: University of Georgia Press, 1987.
Dibble, Terry J. Flannery O'Connor's Short Stories, Notes. Lincoln, NB: Cliffs Notes, 1986.
*Di Renzo, Anthony. American
Gargoyles: Flannery O'Connor and the Medieval Grotesque. Carbondale, IL:
Southern Illinois University Press, 1993.
[
prêt]
*Drake, Robert. Flannery O'Connor: A Critical Essay. Grand Rapids, MI: William B. Eerdmans Publishing Co., 1966. [48 pages]
*Driskell, Leon V. and Brittain, Joan T. The Eternal Crossroads: The Art of Flannery O'Connor. Lexington, KY: The University Press of Kentucky, 1971.
Edmondson, Henry T. Return to Good and Evil: Flannery O'Connor's Response to Nihilism. Lanham, MD: Lexington Books, 2002.
Eggenschwiler, David. The Christian Humanism of Flannery O'Connor. Detroit, MI: Wayne State University Press, 1972.
Enjolras, Laurence. Flannery
O'Connor's Characters. Lanham, MD: University Press of America, 1998.
*Feeley, Kathleen. Flannery O'Connor: Voice of the Peacock. New Brunswick, NJ: Rutgers University Press, 1972; New York: Fordham University Press, 1982.
Ficken, Carl. God's Story and Modern Literature: Reading Fiction in Community. Philadelphia, PA: Fortress Press, 1985.
French, Warren, ed. The Fifties: Fiction, Poetry, Drama. Everett Edwards, 1970; 2000. Contribution de Frieling, Kenneth. “Flannery O'Connor’s vision: The Violence of Revelation,” 111-120.
Friedman, Melvin J. and Clark, Beverly Lyon, eds.. Critical Essays on Flannery O'Connor. Boston, MA: G. K. Hall & Co., 1985.
Friedman, Melvin J. and Lawson, Lewis A. (editors). The Added Dimension: The Art and Mind of Flannery O'Connor. New York: Fordham University Press, 1966, 1977. [Collected Essays, plus a selection from Letters, Statements, Essays, Bibliography]
Gentry, Marshall Bruce. Flannery O'Connor's Religion of the Grotesque. Jackson, MS: University Press of Mississippi, 1986.
Getz, Lorine M. Nature
and Grace in Flannery O'Connor's Fiction. New York: The Edwin Mellen Press,
1982.
----. Flannery O'Connor, Literary Theologian: The Habits
and Discipline of Being. Lewiston, NY: The E. Mellen Press, 1999.
*Giannone, Richard. Flannery O'Connor and the Mystery of Love. Urbana, IL: University of Illinois Press, 1989. Rpt. New York: Fordham UP, 1999.
*Giannone, Richard. Flannery
O'Connor, Hermit Novelist. Urbana, IL: University of Illinois Press, 2000.
[
prêt]
Gordon, Sarah (editor). The Flannery O'Connor Bulletin. Milledgeville, GA: Georgia College & State University. (1972-present) (JOURNAL)
*Gordon Sarah (editor). Flannery O'Connor: In Celebration of Genius. Athens, GA: Hill Street Press, 2000.
*Gordon, Sarah Flannery
O'Connor: The Obedient Imagination . Athens: University of Georgia Press,
2000. reviewed by W.
A. Sessions [
prêt] [listed as "Goron"]
Grimshaw, James A., Jr. The Flannery O'Connor Companion. Westport, CT: Greenwood Press, 1981.
*Hardy, Donald W. Narrating Knowledge in Flannery O'Connor's
Fiction: A linguistic approach to the novels and short stories of Flannery
O'Connor. Columbia: University of South Carolina Press, 2003.
[
prêt]
*Hurley, Jennifer A., (editor). Readings on Flannery O'Connor. San Diego, CA: Greenhaven Press, 2001.
[une bonne sélection d'articles critiques]
*Johansen, Ruthann Knechel. The Narrative Secret of Flannery O'Connor: The Trickster as Interpreter. Tuscaloosa: University of Alabama Press, 1994.
**Kessler, Edward. Flannery O'Connor and the Language of Apocalypse. Princeton, NJ: Princeton University Press, 1986.
Kreyling. Michael (editor). New Essays on Wise Blood. Cambridge, England: Cambridge University
Press, 1995.
Logsdon, Loren and Mayer, Charles W. (editors). Since Flannery O'Connor: Essays on the Contemporary American Short Story. Macomb, IL: Western Illinois University Press, 1987.
McMullen, Joanne Halleran. Writing Against God: Language
as Message in the Literature of Flannery O'Connor. Macon, GA: Mercer University
Press, 1996.
Magee, Rosemary M. Friendship and Sympathy: Communities of Southern Women Writers. Jackson: University Press of Mississippi, 1992.
Malin, Irving. New American Gothic. Carbondale & Edwardsville, IL: Southern Illinois UP, 1962, 1968 [Discusses Capote, Purdy, Flannery O'Connor, Hawkes, McCullers, Salinger]
Martin, Carter W. The True Country: Themes in the Fiction of Flannery O'Connor. Nashville, TN: Vanderbilt University Press, 1968.
*May, John R. The Pruning Word: The Parables of Flannery O'Connor. Notre Dame, IN: University of Notre Dame Press, 1976. [Includes a selected bibliography of Textual Analyses]
Muller, Gilbert H. Nightmares and Visions: Flannery O'Connor and
the Catholic Grotesque. Athens, GA: University of Georgia Press, 1972.125pp.
Oates, Joyce Carol. New Haven, New Earth: the Visionary Experience in Literature. New York, NY: Vanguard, 1974. [Includes “The Visionary Art of Flannery O’Connor,” 141-176, also in Bloom, Modern Critical Views]
Orvell, Miles. Flannery O'Connor: An Introduction. Jackson, Mississippi: University Press of Mississippi, 1991.
*----. Invisible Parade: The Fiction of Flannery O'Connor. Philadelphia, PA: Temple University Press, 1972.
Paulson, Suzanne Morrow. Flannery O'Connor: A Study of the Short Fiction. Boston: Twayne Publishers, 1988.
Portch, Stephen R. Literature's Silent Language: A Study of the Short Fiction. New York: Peter Lang Publishing, Inc., 1985.
Prown, Katherine Hemple. Revising Flannery O'Connor:
Southern Literary Culture and the Problem of Female Authorship. Charlottesville:
University of Press of Virginia, 2001.
Quinn, John J. S. J.,ed. Flannery O'Connor: A Memorial. Scranton: University of Scranton Press, 1964; 2nd ed. 1995. [Collection d’évaluations de Flannery O'Connor par des critiques et écrivains]
*Ragen, Brian Abel. A Wreck on the Road to Damascus: Innocence, Guilt, and Conversion in Flannery O'Connor. Chicago, IL: Loyola University Press, 1989.
*Rath, Sura P. and Shaw, Mary Neff, eds. Flannery O'Connor: New Perspectives. Athens:
University of Georgia Press, 1996.
Schaub, Thomas Hill. American Fiction in the Cold War. 1991.
Seel, Cynthia. Ritual Performance in the Fiction of Flannery
O'Connor. Rochester, NY: Camden House, 2001.
Stephens, Martha. The Question of Flannery O'Connor. Baton Rouge, LA: Louisiana State University Press, 1973.
Sullivan, Walter. Death by Melancholy: Essays on Modern Southern Fiction. Baton Rouge, LA: Louisiana State University Press, 1972.
Walters, Dorothy. Flannery O'Connor. New York: Twayne Publishers, Inc., 1973.
Weisenburger, Steven. Fables of Subversion: Satire and the American Novel, 1930-1980. Athens: University of Georgia Press, 1995.
Westarp, Karl Heinz and Gretlund, Jan Nordby (editors).
Realist of Distances: Flannery O'Connor Revisited.
Aarhus, Denmark: Aarhus University Press, 1987.
Westarp, Karl-Heinz (compiler). Flannery O'Connor: The Growing Craft: A Synoptic Variorium Edition of The Geranium, An Exile in the East, Getting Home, Judgement Day. Birmingham, AL: Summa Publications, 1992.
*Westarp, Karl Heinz Precision and Depth: In Flannery
O'Connor's Short Stories Aarhus Universitetsforlag (juin 2002, 142 pp.,
index) [Synthèse
sur la technique d'écriture, appuyée sur l'étude des
manuscrits, en particulier de "Judgment Day" et "Parker's Back"]
Westling, Louise. Sacred Groves and Ravaged Gardens: The Fiction of Eudora Welty, Carson McCullers, and Flannery O'Connor. Athens, GA: University of Georgia Press, 1985.
*Whitt, Margaret Earley. Understanding Flannery O'Connor. Columbia, SC: University of South Carolina Press, 1995.
*Wood, Ralph C. The Comedy of Redemption: Christian Faith and Comic Vision in Four American Novelists. Notre Dame: University of Notre Dame Press, 1988.
*-----. Flannery
O'Connor and the Christ-Haunted South. Eerdmans
Publishing, 2004 [284
pp., 22$ "...principally devoted to cultural and
theological criticism by way of O'Connor's searing insights into our time
and place." (blurb)]
Compte-rendus
Bibliographie de compte-rendus
dans Friedman, Melvin J. and Lawson, Lewis A. (plus haut)
Coffey, Warren. [Everything That Rises Must Converge] Commentary 40.5 (1965), 93-99.
Hicks, Granville. Reviews of Flannery O'Connor’s A Good Man is Hard to Find (The New Leader, Aug. 15, 1955), Everything that Rises Must Converge (Saturday Review, May 29, 1965), rpt. in Literary Horizons (New York: New York UP, 1970), 135-149.
*Crews, Frederick. “The Power of Flannery O'Connor” New York Review of Books 37.7 (April 26, 1990): 49-55. [Reviewing O'Connor's Collected Works, Brinkmeyer's Art and Vision, Wood's Comedy of Redemption and Asals' Imagination of Extremity; achat de l'article en ligne]
Sélection d’articles
Bleikasten; André. “Théologie et dérision” Langues modernes mars-avril 1970.
Browning, Preston M. “Flannery O’Connor and the Demonic.”
Modern Fiction Studies 19.1 (1973): 29-41.
Carver, Raymond. “On Writing“, 1981; Fires (London: Picador, 1985), 22-27.
Gordon, Caroline. “Heresy in Dixie.” Sewanee Review 76.2 (1968): 263-297.
Gresset, Michel. “Le petit monde de Flannery O'Connor” Mercure de France, Janvier 1964, 141-143.
––. « L’audace de Flannery O'Connor », NRF 216, décembre 1970, 61-71.
Hawkes, John. "Flannery O'Connor's Devil." Sewanee Review 70.3 (Summer 1962): 395-407.
Howell, Elmo. “The Developing Art of Flannery O’Connor.” Arizona Quarterly 29.3 (1973): 266-276.
Jordis, Christine “Flannery O'Connor”, NRF, 300 avril 1986, 488-493.
Katz, Claire. “Flannery O'Connor’s Rage of Vision.” American Literature 46.1 (1974): 54-67.
Kehl, D. G. “Flannery O’Connor’s Fourth Dimension’: The Role of Sexuality in Her Fiction.“ Mississippi Quarterly 48.2 (Spring 1995): 255-276.
Keller, Jane Carter. “The Figure of the Empiricist and the Rationalist in the Fiction of Flannery O'Connor.” Arizona Quarterly 28.3 (1972): 263-273.
Le Clézio, J. M. G., “L’univers de Flannery O'Connor”, NRF 153, sept. 1965, 488-493 ; repris comme préface à la trad. de The Violent Bear it Away (7-13).
Lévy, Maurice. “Gothique et grotesque: préface à l’ébauche d’une réflexion sur une possible relation”. Réimpression dans Rule Britannia 3 (Textes réunis par Marie-Madeleine Martinet en hommage à Maurice-Paul Gautier, « Regards européens sur le monde anglo-américain »,1992), Presses Universitaires de Paris-Sorbonne, 157-166.
*----. "L'Ecriture et la Grâce, ou la fiction de Flannery O'Connor", Surface et Profondeur: Mélanges offerts à Guy Bourquin, 2003
Lorch, Thomas M. “Flannery O’Connor: Christian Allegorist.” Critique 10.2 (1968): 69-80.
Mellard, James M. “Flannery O’Connor’s Others: Freud, Lacan, and the Unconscious.” American Literature 61.4 (1989); 625-43.
Montgomery, Marion. “O’Connor and Teilhard de Chardin: The Problem of Evil.” Renascence 22.1 (1969): 34-42.
Oates, Joyce Carol. “The Action of Mercy.” Kenyon Review 20.1 (1998): 157-160.
----. “Realism of Distance, Realism of Immediacy.” Southern Review 7.1 (1971): 295-313.
Prown, Katherine Hemple. “Riding the Dixie Limited: Flannery
O'Connor, Southern Literary Culture, and the Problem of Female Authorship.”
In Pollack, Harriet, Having Our Way: Women Rewriting Tradition in Twentieth-Century
America. Lewisburg, PE: Bucknell UP, 1995, 57-78.
Taylor, Henry. “The Halt Shall Be Gathered Together: Physical Deformity in the Fiction of Flannery O’Connor.” Western Humanities Review 22.4 (1968): 325-338.
Walker, Alice. “Beyond the Peacock: The Reconstruction of Flannery O'Connor” Ms. 4.6 (déc. 1975), 77-79; 102-106. Repris dans Louise Westling, In Search of Our Mothers' Gardens (New York: Harcourt Brace Jovanovich, 1983), 42-59. Repris dans Hurley, ed., sous le titre "The First Great Modern Writer form the South".
Weinstein, Philip M. "'Coming unalone': Gesture and Gestation in Faulkner and O'Connor." In Zacharasiewicz, Waldemar, ed. Faulkner, His Contemporaries, and His Posterity (Tübingen, Francke Verlag, 1993), 262-275.
Wyatt, Bryan N. “The Domestic
Dynamics of Flannery O’Connor: Everything That Rises Must Converge”
Twentieth Century Literature 38.1 (1992): 66-88.
“A Good Man
is Hard to Find”
*Frederick Asals, ed. “A Good Man Is Hard to Find”.
New Brunswick: Rutgers University Press,1993. [Introduction, background,
text of the story, ten essays, bibliography]
Coulthard, A. R. “From Sermon to Parable: Four Conversion Stories by Flannery O’Connor.” American Literature 55.1 (1983): 55-71. [+ “The River”, “Greenleaf”, “A Temple of the Holy Ghost”]
Flannery O’Connor: Comprehensive Research and Study Guide, Harold Bloom ed. , 14-27.
“The Life You Save May Be Your Own”
Clasby, Nancy T. “’The Life you Save May Be Your Own’: Flannery O’Connor as a Visionary Artist. Studies in Short Fiction 28.4 (1991): 509-520.
“The Artificial Nigger”
Kahane, Claire. “The Artificial Niggers.” The Massachusetts Review19.1 (1978): 183-198. [ +
“Judgment Day”]
Perreault, Jeanne. “The Body, the Critics, and ‘The Artificial Nigger’”. Mississippi Quarterly 56.3 (Summer 2003): 389-410.
Shaw, Mary Neff. ‘The Artificial Nigger’: A Dialogical Narrative” (Rath, Sura P. and Shaw, Mary Neff, eds. Flannery O'Connor: New Perspectives. Athens: University of Georgia Press, 1996), 139-151.
“A Late Encounter With
the Enemy”
Knauer, David J. “Flannery O'Connor: “A Late Encounter” with Poststructuralism”. Mississippi Quarterly 48.2 (Spring 1995): 277-289.
“A View of the Woods”
Giannone, Richard. “Displacing Gender: Flannery O’Connor’s View from the Woods” (in Rath, Sura P. and Shaw, Mary Neff, eds. Flannery O'Connor: New Perspectives. Athens: University of Georgia Press, 1996), 73-95.
Roos, John. “The Political in Flannery O’Connor: A Reading of ‘A View from the Woods.’” Studies in Short Fiction 29.2 (1992): 161-179.
“Parkers’s Back”
Bleikasten, André. “Writing on the Flesh: Tattoos and Taboos in Parker’s Back.” Southern Literary Journal 14.2 (1982): 8-18.
Yaeger, Patricia. “Southern Orientalism: Flannery O’Connor’s Cosmopolis.” Mississippi Quarterly 56.4 (Fall 2003): 491-510.
Sites internet intéressants
The Comforts of Home: A Repository of Flannery O’Connor Information http://mediaspecialist.org/index.html . Bibliographie commentée (choix d’articles et ouvrages), essais en ligne, liens…
The Flannery 0’Connor collection at GC & SU : http://library.gcsu.edu/~sc/foc.html
à Georgia College & State University, Russell Library[2]. Bibliographie,
liens, liste de diffusion archivée
Internet Public Library: Online literary Criciticism Collection - Flannery O'Connor.
Society for the Study of Southern Literature Bibliography: http://www.missq.msstate.edu/sssl/
http://xroads.virginia.edu/~DRBR/goodman.html : édition en ligne de “A Good Man is Hard to Find”, pagination de l’édition Library of America.
D'autres nouvelles en ligne sont repérées par le site http://agreg-ink.com/2005/flannery.html
Curiosité: les frères Coen parlent de l'influence de Flannery O'Connor sur leur univers, et en particulier sur leur dernier film, Ladykillers.