Flannery O'Connor

Dernière mise à jour: 04/05/05

Une journée d'études et de formation sur les nouvelles de Flannery O'Connor, ouverte aux étudiants comme aux préparateurs, aura lieu sous l'égide du laboratoire "Suds d'Amériques" à l'Université de Versailles St Quentin en janvier (date à l'étude). Les propositions de communications peuvent être adressées dès à présent à .

Bibliographie

proposée aux préparateurs par Jacques Pothier, Université de Versailles St Quentin-en-Yvelines. Voir aussi la bibliographie courte destinée aux candidats. Merci de bien vouloir me faire part de tout commentaire ou complément par .

Les modifications ou ajouts par rapport à la bibliographie en ligne sur le site de la SAES apparaissent en rouge sur cette page..

Œuvres

Au programme (voir B.O. E.N.)

The Complete Stories of Flannery O'Connor. With an introduction by Robert Giroux. New York: Farrar, Straus and Giroux, 1972. L'édition indiquée au BO est identique: Londres: Faber & Faber, 1990. Dans la liste ci-dessous, une icône signale les nouvelles dont une transcription existe sur le web (sous réserves).

Ainsi que le précise Robert Giroux dans son introduction (xvi), les nouvelles figurent ici dans l'ordre chronologique de leur composition. Les nouvelles au programme sont "The Geranium" (1946) et deux recueils de nouvelles publiées à l'origine dans l'ordre suivant (pour l'histoire détaillée de la publication de chaque nouvelle, voir notes pp. 551-555 du recueil) :

A Good Man is Hard to Find and other stories( 1955 ).

Le titre est celui d'un blues chanté par Bessie Smith
( enregistrement 27/09/1927, Columbia 14250-D)

A Good Man is Hard to Find
The River
The Life You Save May Be Your Own
A Stroke of Good Fortune
A Temple of the Holy Ghost
The Artificial Nigger
A Circle in the Fire
A Late Encounter with the Enemy
Good Country People
The Displaced Person

Everything That Rises Must Converge ( 1965 ).

Everything That Rises Must Converge
Greenleaf
A View of the Woods
The Enduring Chill
The Comforts of Home
The Lame Shall Enter First
Revelation
Parker's Back
Judgement Day (AmE spelling: Judgment Day)


photo J. Pothier

Wise Blood. New York: Farrar, Straus, and Giroux, 1952.

A Good Man is Hard to Find and other stories. New York : Harcourt, Brace, 1955.Tr. Henri Morisset, Les braves gens ne courent pas les rues (Gallimard, 1963).

The Violent Bear It Away ( 1960 ). Tr. Maurice Edgar Coindreau , Et ce sont les Violents qui l’emportent (Gallimard, 1965) ; préface de J. M. G. Le Clézio.

Everything That Rises Must Converge. New York: Farrar, Straus, and Giroux, 1965.

*Fitzgerald, Robert and Fitzgerald, Sally (editors). Mystery and Manners: Occasional Prose. Edited by Sally and Robert Fitzgerald. New York: Farrar, Straus, and Giroux, 1969; tr. André Simon, Le mystère et les moeurs, écrits de circonstance (Gallimard, 1995)

Fitzgerald, Sally (editor). The Habit of Being. New York: Farrar, Straus, and Giroux, 1979 ; tr. Gabrielle Rolin L’Habitude d’être (Gallimard 2003)

Zuber,-Leo-J. (comp.); Martin,-Carter-W. (ed.)The Presence of Grace, and Other Book Reviews, Athens : U of Georgia P, 1983.

Magee, Rosemary. Conversations with Flannery O'Connor . Jackson: UP of Mississippi, 1987.

*Sally Fitzgerald, ed. O'Connor's Collected Works. Library of America, 1988. [Contains the fiction, some occasional prose, and more than 250 letters written between 1948 and 1964].

Stephens, C. Ralph. (editor). The Correspondence of Flannery O'Connor and the Brainard Cheneys. Jackson, MS: University Press of Mississippi, 1986.

Zuber, Leo J. (editor). The Presence of Grace and Other Book Reviews by Flannery O'Connor. Athens, GA: University of Georgia Press, 1983.

La Sagesse dans le sang [romans et nouvelles complets] Préface de Roger Grenier.Gallimard, Biblos : 1991 (974 pp.).

Biographie / bibliographie / introduction générale

Balee, Susan. Flannery O'Connor: Literary Prophet of the South. New York: Chelsea House Publishers, 1994.

**Bleikasten, André. Flannery O’Connor. Belin, voix américaines. A paraître, sept. 2004.

**Brisac, Geneviève. Loin du Paradis: Flannery O'Connor. Paris: Gallimard, 1991.

Cash, Jean W. Flannery O’Connor: A Life. Knoxville: University of Tennessee Press, 2002.

*Elie, Paul. The Life You Save May Be Your Own: An American Pilgrimage. New York: Farrar, Straus, and Giroux, 2003. [a joint narrative of the literary careers of the “School of the Holy Ghost”—Thomas Merton, Dorothy Day, Flannery O’Connor and Walker Percy]

Farmer, David. Flannery O'Connor: A Descriptive Bibliography. New York: Garland Publishing Company, 1981.

Fickett, Harold and Gilbert, Douglas R. Flannery O'Connor: Images of Grace. Grand Rapids, MI: William B. Eerdmans Publishing Company, 1986. [Essai biographique, critique et photographique sur la vie et l’oeuvre]

Getz, Lorine M. Flannery O'Connor: Her Life, Library and Book Reviews. New York: The Edwin Mellen Press, 1980.

Golden, Robert E. and Sullivan, Mary C. Flannery O'Connor and Caroline Gordon: A Reference Guide. Boston, MA: G. K. Hall & Co., 1977.

Kinney, Arthur F. Flannery O'Connor's Library: Resources of Being. Athens, GA: University of Georgia Press, 1985.

McKenzie, Barbara. Flannery O'Connor's Georgia. Athens, GA: University of Georgia Press, 1980.

Pothier, Jacques Synthèse d'une oeuvre: les nouvelles de Flannery O'Connor Editions de l'Université de Versailles St Quentin, à paraître, sept. 2004.

*Scott, R. Neil. Flannery O'Connor: An Annotated Reference Guide to Criticism. Milledgeville, GA: Timberlane Books, 2002.

Scott, R. Neil and Valerie Nye. Postmarked Milledgeville: A Guide to Flannery O'Connor's Correspondence in Libraries and Archives. Milledgeville: Georgia College & State University, 2002.

Spivey, Ted Ray. Flannery O'Connor: The Woman, the Thinker, the Visionary. Macon, GA: Mercer University Press, 1995.

Critique: ouvrages[1]

**Asals, Frederick. Flannery O'Connor: The Imagination of Extremity. Athens, GA: University of Georgia Press, 1982.

Bacon, Jon Lance. Flannery O'Connor and Cold War Culture. Cambridge: Cambridge University Press, 1993.

Baumgaertner, Jill P. Flannery O'Connor: A Proper Scaring. Wheaton, IL: Harold Shaw Publishers, 1988.

Beck, Charlotte H. The Fugitive Legacy: A Critical History. Baton Rouge: Louisiana State University Press, 2001.

*Bloom, Harold (editor). Modern Critical Views: Flannery O'Connor. New York: Chelsea House Publishers, 1986. [dont **John Hawkes “Flannery O’Connor’s Devil”, Joyce Carol Oates “The Visionary Art of  Flannery O’Connor”]

----. Flannery O’Connor: (Comprehensive Research and Study Guide; Bloom's Major Short Story Writers), Harold Bloom ed. Chelsea House. 1999. [74 pp., index: plot summary, themes, critical extracts on 4 stories: "A Good Man is Hard to Find", "Good Country People", "Everything that Rises Must Converge" & "Revelation"]

Brinkmeyer, Robert H. The Art and Vision of Flannery O'Connor. Baton Rouge, LA: Louisiana State University Press, 1989.

Browning, Preston M., Jr. Flannery O'Connor. Carbondale, IL: Southern Illinois University Press, 1974.

Caron, Timothy Paul. Struggles Over the Word: Race and Religion in O'Connor, Faulkner, Hurston, and Wright. Macon: Mercer University Press, 2000.

Coles, Robert. Flannery O'Connor's South. Baton Rouge, LA: Louisiana State University Press, 1980.

* Delta 2 « Flannery O’Connor et le réalisme des lointains » (Mars 1976). - Montpellier : Université Paul Valéry, 1976. - 168 p.

*Desmond, John. Risen Sons: Flannery O'Connor's Vision of History. Athens, GA: University of Georgia Press, 1987.

Dibble, Terry J. Flannery O'Connor's Short Stories, Notes. Lincoln, NB: Cliffs Notes, 1986.

*Di Renzo, Anthony. American Gargoyles: Flannery O'Connor and the Medieval Grotesque. Carbondale, IL: Southern Illinois University Press, 1993.

*Drake, Robert. Flannery O'Connor: A Critical Essay. Grand Rapids, MI: William B. Eerdmans Publishing Co., 1966. [48 pages]

*Driskell, Leon V. and Brittain, Joan T. The Eternal Crossroads: The Art of Flannery O'Connor. Lexington, KY: The University Press of Kentucky, 1971.

Edmondson, Henry T. Return to Good and Evil: Flannery O'Connor's Response to Nihilism. Lanham, MD: Lexington Books, 2002.

Eggenschwiler, David. The Christian Humanism of Flannery O'Connor. Detroit, MI: Wayne State University Press, 1972.

Enjolras, Laurence. Flannery O'Connor's Characters. Lanham, MD: University Press of America, 1998.

*Feeley, Kathleen. Flannery O'Connor: Voice of the Peacock. New Brunswick, NJ: Rutgers University Press, 1972; New York: Fordham University Press, 1982.

Ficken, Carl. God's Story and Modern Literature: Reading Fiction in Community. Philadelphia, PA: Fortress Press, 1985.

French, Warren, ed. The Fifties: Fiction, Poetry, Drama. Everett Edwards, 1970; 2000. Contribution de Frieling, Kenneth. “Flannery O'Connor’s vision: The Violence of Revelation,” 111-120.

Friedman, Melvin J. and Clark, Beverly Lyon, eds.. Critical Essays on Flannery O'Connor. Boston, MA: G. K. Hall & Co., 1985.

Friedman, Melvin J. and Lawson, Lewis A. (editors). The Added Dimension: The Art and Mind of Flannery O'Connor. New York: Fordham University Press, 1966, 1977. [Collected Essays, plus a  selection from Letters, Statements, Essays, Bibliography]

Gentry, Marshall Bruce. Flannery O'Connor's Religion of the Grotesque. Jackson, MS: University Press of Mississippi, 1986.

Getz, Lorine M. Nature and Grace in Flannery O'Connor's Fiction. New York: The Edwin Mellen Press, 1982.

----. Flannery O'Connor, Literary Theologian: The Habits and Discipline of Being. Lewiston, NY: The E. Mellen Press, 1999.

*Giannone, Richard. Flannery O'Connor and the Mystery of Love. Urbana, IL: University of Illinois Press, 1989. Rpt. New York: Fordham UP, 1999.

*Giannone, Richard. Flannery O'Connor, Hermit Novelist. Urbana, IL: University of Illinois Press, 2000.

Gordon, Sarah (editor). The Flannery O'Connor Bulletin. Milledgeville, GA: Georgia College & State University. (1972-present) (JOURNAL)

*Gordon Sarah (editor). Flannery O'Connor: In Celebration of Genius. Athens, GA: Hill Street Press, 2000.

*Gordon, Sarah Flannery O'Connor: The Obedient Imagination . Athens: University of Georgia Press, 2000. reviewed by W. A. Sessions

Grimshaw, James A., Jr. The Flannery O'Connor Companion. Westport, CT: Greenwood Press, 1981.

*Hardy, Donald W. Narrating Knowledge in Flannery O'Connor's Fiction: A linguistic approach to the novels and short stories of Flannery O'Connor. Columbia: University of South Carolina Press, 2003.

*Hurley, Jennifer A., (editor). Readings on Flannery O'Connor. San Diego, CA: Greenhaven Press, 2001.[bonne anthologie critique récente]

*Johansen, Ruthann Knechel. The Narrative Secret of Flannery O'Connor: The Trickster as Interpreter. Tuscaloosa: University of Alabama Press, 1994.

**Kessler, Edward. Flannery O'Connor and the Language of Apocalypse. Princeton, NJ: Princeton University Press, 1986.

Kreyling. Michael (editor). New Essays on Wise Blood. Cambridge, England: Cambridge University Press, 1995.

Logsdon, Loren and Mayer, Charles W. (editors). Since Flannery O'Connor: Essays on the Contemporary American Short Story. Macomb, IL: Western Illinois University Press, 1987.

McMullen, Joanne Halleran. Writing Against God: Language as Message in the Literature of Flannery O'Connor. Macon, GA: Mercer University Press, 1996.

Magee, Rosemary M. Friendship and Sympathy: Communities of Southern Women Writers. Jackson: University Press of Mississippi, 1992.

Malin, Irving. New American Gothic. Carbondale & Edwardsville, IL: Southern Illinois UP, 1962, 1968 [Discusses Capote, Purdy, Flannery O'Connor, Hawkes, McCullers, Salinger]

Martin, Carter W. The True Country: Themes in the Fiction of Flannery O'Connor. Nashville, TN: Vanderbilt University Press, 1968.

*May, John R. The Pruning Word: The Parables of Flannery O'Connor. Notre Dame, IN: University of Notre Dame Press, 1976. [Includes a selected bibliography of Textual Analyses]

Muller, Gilbert H. Nightmares and Visions: Flannery O'Connor and the Catholic Grotesque. Athens, GA: University of Georgia Press, 1972.125pp.  

Oates, Joyce Carol. New Haven, New Earth: the Visionary Experience in Literature. New York, NY: Vanguard, 1974. [Includes “The Visionary Art of  Flannery O’Connor,” 141-176, also in Bloom, Modern Critical Views]

Orvell, Miles. Flannery O'Connor: An Introduction. Jackson, Mississippi: University Press of Mississippi, 1991.

*----. Invisible Parade: The Fiction of Flannery O'Connor. Philadelphia, PA: Temple University Press, 1972.

Paulson, Suzanne Morrow. Flannery O'Connor: A Study of the Short Fiction. Boston: Twayne Publishers, 1988.

Portch, Stephen R. Literature's Silent Language: A Study of the Short Fiction. New York: Peter Lang Publishing, Inc., 1985.

Prown, Katherine Hemple. Revising Flannery O'Connor: Southern Literary Culture and the Problem of Female Authorship. Charlottesville: University of Press of Virginia, 2001.

Quinn, John J. S. J.,ed.  Flannery O'Connor: A Memorial. Scranton: University of Scranton Press, 1964; 2nd ed. 1995. [Collection d’évaluations de Flannery O'Connor par des critiques et écrivains]

*Ragen, Brian Abel. A Wreck on the Road to Damascus: Innocence, Guilt, and Conversion in Flannery O'Connor. Chicago, IL: Loyola University Press, 1989.

*Rath, Sura P. and Shaw, Mary Neff, eds. Flannery O'Connor: New Perspectives. Athens: University of Georgia Press, 1996.

Schaub, Thomas Hill. American Fiction in the Cold War. 1991.

Seel, Cynthia. Ritual Performance in the Fiction of Flannery O'Connor. Rochester, NY: Camden House, 2001.

Stephens, Martha. The Question of Flannery O'Connor. Baton Rouge, LA: Louisiana State University Press, 1973.

Sullivan, Walter. Death by Melancholy: Essays on Modern Southern Fiction. Baton Rouge, LA: Louisiana State University Press, 1972.

Walters, Dorothy. Flannery O'Connor. New York: Twayne Publishers, Inc., 1973.

Weisenburger, Steven. Fables of Subversion: Satire and the American Novel, 1930-1980. Athens: University of Georgia Press, 1995.

Westarp, Karl Heinz and Gretlund, Jan Nordby (editors). Realist of Distances: Flannery O'Connor Revisited. Aarhus, Denmark: Aarhus University Press, 1987.

Westarp, Karl-Heinz (compiler). Flannery O'Connor: The Growing Craft: A Synoptic Variorium Edition of The Geranium, An Exile in the East, Getting Home, Judgement Day. Birmingham, AL: Summa Publications, 1992.

*Westarp, Karl Heinz Precision and Depth: In Flannery O'Connor's Short Stories Aarhus Universitetsforlag (juin 2002, 142 pp., index) [Synthèse sur la technique d'écriture, appuyée sur l'étude des manuscrits, en particulier de "Judgment Day" et "Parker's Back"]

Westling, Louise. Sacred Groves and Ravaged Gardens: The Fiction of Eudora Welty, Carson McCullers, and Flannery O'Connor. Athens, GA: University of Georgia Press, 1985.

*Whitt, Margaret Earley. Understanding Flannery O'Connor. Columbia, SC: University of South Carolina Press, 1995.

*Wood, Ralph C. The Comedy of Redemption: Christian Faith and Comic Vision in Four American Novelists. Notre Dame: University of Notre Dame Press, 1988.

*-----.  Flannery O'Connor and the Christ-Haunted South. Eerdmans Publishing, 2004 [284 pp., 22$ "...principally devoted to cultural and theological criticism by way of O'Connor's searing insights into our time and place." (blurb)]

Compte-rendus

Bibliographie de compte-rendus dans Friedman, Melvin J. and Lawson, Lewis A. (plus haut)

Coffey, Warren. [Everything That Rises Must Converge] Commentary 40.5 (1965), 93-99.

Hicks, Granville. Reviews of Flannery O'Connor’s A Good Man is Hard to Find (The New Leader, Aug. 15, 1955), Everything that Rises Must Converge (Saturday Review, May 29, 1965), rpt. in Literary Horizons (New York: New York UP, 1970), 135-149.

*Crews, Frederick. “The Power of Flannery O'ConnorNew York Review of Books 37.7 (April 26, 1990): 49-55. [Reviewing O'Connor's Collected Works, Brinkmeyer's Art and Vision, Wood's Comedy of Redemption and Asals' Imagination of Extremity; achat de l'article en ligne]

Sélection d’articles

Bleikasten; André. “Théologie et dérision” Langues modernes mars-avril 1970.

Browning, Preston M. “Flannery O’Connor and the Demonic.” Modern Fiction Studies 19.1 (1973): 29-41.

Carver, Raymond. “On Writing“, 1981; Fires (London: Picador, 1985), 22-27.

Gordon, Caroline. “Heresy in Dixie.” Sewanee Review 76.2 (1968): 263-297.

Gresset, Michel. “Le petit monde de Flannery O'Connor” Mercure de France, Janvier 1964, 141-143.

––. « L’audace de Flannery O'Connor  », NRF 216, décembre 1970, 61-71.

Hawkes, John. "Flannery O'Connor's Devil." Sewanee Review 70.3 (Summer 1962): 395-407.

Howell, Elmo. “The Developing Art of Flannery O’Connor.” Arizona Quarterly 29.3 (1973): 266-276.

Jordis, Christine “Flannery O'Connor”, NRF, 300 avril 1986, 488-493.

Katz, Claire. “Flannery O'Connor’s Rage of Vision.” American Literature 46.1 (1974): 54-67.

Kehl, D. G. “Flannery O’Connor’s Fourth Dimension’: The Role of Sexuality in Her Fiction.“ Mississippi Quarterly 48.2 (Spring 1995): 255-276.

Keller, Jane Carter. “The Figure of the Empiricist and the Rationalist in the Fiction of Flannery O'Connor.” Arizona Quarterly  28.3 (1972): 263-273.

Le Clézio, J. M. G., “L’univers de Flannery O'Connor”, NRF 153, sept. 1965, 488-493 ; repris comme préface à la trad. de The Violent Bear it Away (7-13).

Lévy, Maurice. “Gothique et grotesque: préface à l’ébauche d’une réflexion sur une possible relation”. Réimpression dans Rule Britannia 3 (Textes réunis par Marie-Madeleine Martinet en hommage à Maurice-Paul Gautier, « Regards européens sur le monde anglo-américain »,1992), Presses Universitaires de Paris-Sorbonne, 157-166.

*----. "L'Ecriture et la Grâce, ou la fiction de Flannery O'Connor", Surface et Profondeur: Mélanges offerts à Guy Bourquin, 2003

Lorch, Thomas M. “Flannery O’Connor: Christian Allegorist.” Critique 10.2 (1968): 69-80.

Mellard, James M. “Flannery O’Connor’s Others: Freud, Lacan, and the Unconscious.” American Literature 61.4 (1989); 625-43.

Montgomery, Marion. “O’Connor and Teilhard de Chardin: The Problem of Evil.” Renascence 22.1 (1969): 34-42.

Oates, Joyce Carol. “The Action of Mercy.” Kenyon Review 20.1 (1998): 157-160.

----. “Realism of Distance, Realism of Immediacy.” Southern Review 7.1 (1971): 295-313.

Prown, Katherine Hemple. “Riding the Dixie Limited: Flannery O'Connor, Southern Literary Culture, and the Problem of Female Authorship.” In Pollack, Harriet, Having Our Way: Women Rewriting Tradition in Twentieth-Century America. Lewisburg, PE: Bucknell UP, 1995, 57-78.

Russell, Shannon. "Space and the Movement Through Space in Everything That Rises Must Converge: A Consideration of Flannery O'Connor's Imaginative Vision". Southern Literary Journal 20.2 (Spring 1988): 91-98.

Taylor, Henry. “The Halt Shall Be Gathered Together: Physical Deformity in the Fiction of Flannery O’Connor.” Western Humanities Review 22.4 (1968): 325-338.

Walker, Alice. “Beyond the Peacock: The Reconstruction of Flannery O'Connor” Ms. 4.6 (déc. 1975), 77-79; 102-106. Repris dans Louise Westling, In Search of Our Mothers' Gardens (New York: Harcourt Brace Jovanovich, 1983), 42-59. Repris dans Hurley, ed.sous le titre "The First Great Modern Writer form the South".

Weinstein, Philip M. "'Coming unalone': Gesture and Gestation in Faulkner and O'Connor." In Zacharasiewicz, Waldemar, ed. Faulkner, His Contemporaries, and His Posterity (Tübingen, Francke Verlag, 1993), 262-275.

Wyatt, Bryan N. “The Domestic Dynamics of Flannery O’Connor: Everything That Rises Must ConvergeTwentieth Century Literature 38.1 (1992): 66-88.

 “A Good Man is Hard to Find”

*Frederick Asals, ed.A Good Man Is Hard to Find”. New Brunswick: Rutgers University Press,1993. [Introduction, background, text of the story, ten essays, bibliography]

Coulthard, A. R. “From Sermon to Parable: Four Conversion Stories by Flannery O’Connor.” American Literature 55.1 (1983): 55-71. [+ “The River”, “Greenleaf”, “A Temple of the Holy Ghost”]

Flannery O’Connor: Comprehensive Research and Study Guide, Harold Bloom ed. , 14-27.

“The Life You Save May Be Your Own”

Clasby, Nancy T. “’The Life you Save May Be Your Own’: Flannery O’Connor as a Visionary Artist. Studies in Short Fiction 28.4 (1991): 509-520.

 “The Artificial Nigger”

Kahane, Claire. “The Artificial Niggers.” The Massachusetts Review19.1 (1978): 183-198. [ +

“Judgment Day”]

Perreault, Jeanne. “The Body, the Critics, and ‘The Artificial Nigger’”. Mississippi Quarterly 56.3 (Summer 2003): 389-410.

Shaw, Mary Neff. ‘The Artificial Nigger’: A Dialogical Narrative” (Rath, Sura P. and Shaw, Mary Neff, eds. Flannery O'Connor: New Perspectives. Athens: University of Georgia Press, 1996), 139-151.

“A Late Encounter With the Enemy”

Knauer, David J. “Flannery O'Connor: “A Late Encounter” with Poststructuralism”. Mississippi Quarterly 48.2 (Spring 1995): 277-289.

 “A View of the Woods”

Giannone, Richard. “Displacing Gender: Flannery O’Connor’s View from the Woods” (in Rath, Sura P. and Shaw, Mary Neff, eds. Flannery O'Connor: New Perspectives. Athens: University of Georgia Press, 1996), 73-95.

Roos, John. “The Political in Flannery O’Connor: A Reading of ‘A View from the Woods.’” Studies in Short Fiction 29.2 (1992): 161-179.

“Parkers’s Back”

Bleikasten, André. “Writing on the Flesh: Tattoos and Taboos in Parker’s Back.” Southern Literary Journal 14.2 (1982): 8-18.

Yaeger, Patricia. “Southern Orientalism: Flannery O’Connor’s Cosmopolis.” Mississippi Quarterly 56.4 (Fall 2003): 491-510.

Sites internet intéressants

The Comforts of Home: A Repository of Flannery O’Connor Information http://mediaspecialist.org/index.html  . Bibliographie commentée (choix d’articles et ouvrages), essais en ligne, liens…

The Flannery 0’Connor collection at GC & SU : http://library.gcsu.edu/~sc/foc.html à Georgia College & State University, Russell Library[2]. Bibliographie, liens, liste de diffusion archivée

Internet Public Library: Online literary Criciticism Collection - Flannery O'Connor.

Society for the Study of Southern Literature Bibliography: http://www.missq.msstate.edu/sssl/

http://xroads.virginia.edu/~DRBR/goodman.html : édition en ligne de “A Good Man is Hard to Find”, pagination de l’édition Library of America.

D'autres nouvelles en ligne sont repérées par le site http://agreg-ink.com/litt/2005/foc.html

Curiosité: les frères Coen parlent de l'influence de Flannery O'Connor sur leur univers, et en particulier sur leur dernier film, Ladykillers.

 


Remerciements au Professeur André Bleikasten, à Simon Gallo et ses assistantes, American Library in Paris

 


[1] Bibliographie de base disponible sur http://library.gcsu.edu/~sc/criticis.html

[2]Mary Flannery O’Connor attended Georgia State College for Women (now Georgia College & State University) during World War II under an accelerated three year program (1942 to 1945). O’Connor earned a BA in Social Science in 1945. She was editor of the literary magazine, the Corinthian her senior year. She also served on the yearbook and newspapers staffs.” (web site)